Yet “More Life” ventures decidedly further, and with less anxiety on Drake’s part about being seen as a kind of creative colonist for the way he adopts far-flung styles for his own advancement. Not that he didn’t go wide on “Views,” which completed his move from rap into clubby, global-minded pop with hits like “Controlla,” “One Dance” and “Too Good,” the humid duet with Rihanna that more or less functioned as a sequel to her Drake-featuring “Work.”
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1, the latter moving more than a million units in its first week.)īy calling “More Life” a playlist instead, he’s promising a lighter-weight experience, one not necessarily designed to clarify What Drake Thinks.īut the jargon also goes some way toward justifying the breadth of styles and attitudes here it gives Drake license to roam as a compilation of various artists’ songs would. Yet last year’s “Views” was clearly billed as an album, with all the structure and ambition that term has historically evoked. In 2015, he presented the chest-beating “If You’re Reading This It’s Too Late” as a mixtape, proudly aligning himself with hip-hop’s tradition of rushed-to-market trash talk.
The Canadian rapper and singer - and former teen actor - is so popular that whatever he puts out is almost certain to attract listeners in record numbers.īut if designations can seem increasingly irrelevant for a superstar at his level - and at a moment when the shift to digital streaming is already turning everything into context-free clouds of ones and zeroes - that doesn’t mean labels are without meaning for Drake. An audiobook in which he annotates his old scripts from “Degrassi: The Next Generation.”Īt this point, it doesn’t really matter what form a new Drake release takes.
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