
For what it’s worth, my extremely early-rising dad tells me the person who has delivered the Post to his home faithfully for years is an adult who makes the rounds via automobile. Eventually, a friend passed along contact info for a Postie who does “circulation analysis,” but he did not return my call or email. A customer service rep there referred me back to the general number from which I had begun my search. I tried contacting the circulation department of the Washington Post-not the paper I delivered, but the one I grew up reading. Paperboys and papergirls in Hartford, Connecticut, in 1909 Executive Director Lynne Lance politely replied to me that the NNA, too, is a nah when it comes to the kids-on-bikes beat, but pointed out “we just represent community newspapers, not all newspapers.” Undeterred by having struck out at two soundalike organizations, I decided to try the National Newspaper Association (NNA).

“I do know that several newspapers stopped having bicycle newspaper carriers because of legal liability issues involving accidents and cars running over carriers on bikes or on foot and concerns about young people becoming targets for criminals-particularly if they were collecting money from subscribers,” Márquez wrote in an email.

Miriam Márquez, interim executive director of the NLA, told me her group doesn’t keep tabs on this, either. in 2019 but continues to host traveling exhibitions.Ī representative for the Newseum referred me to the News Leaders Association (NLA). She recommended I query someone at the Newseum, which closed its flagship site in Washington, D.C. “My understanding is that newspaper delivery is done mainly by adults these days, but I’m not aware of a primary source for that information or who would track those trends,” Loving wrote. Lindsay Loving, communications director of the News/Media Alliance, told me her organization doesn’t track this data. But no one seems to know exactly how recently they disappeared. If newspapers-on-newsprint are in decline, then newspapers-delivered-by-kids-on-bikes seem like a relic of the even-more-distant past. L to R: The main characters of "Paper Girls," Riley Lai Nelet (Erin Tieng), Camryn Jones (Tiffany Quilkin), Sofia Rosinsky (Mac Coyle) This year, Gannett-America’s largest newspaper chain-reduced the days of the week on which print editions are released at 186 of its papers, the Washington Post reported in April. That fewer and fewer readers are relying on paper-papers as opposed to digital editions gets covered, too. The decline of local news, and of the daily newspaper, is a subject that has rightly inspired a lot of hand-wringing in recent years. I wondered what had become of what was my first job in media. Your faithful correspondent delivered papers in a suburb on a single-gear dirt bike, and then a grown-up ten-speed, for several years in the late ’80s and early ’90s. Streaming technology has not advanced to the point where you can smell the fresh ink on the newsprint or feel it rub off on your fingers, but these are details my decades-old memory readily supplied. As New Order’s “ Age of Consent” kicks in on the soundtrack, a bleary-eyed Erin begins rolling up the papers and placing a rubber band around each one to make these floppy, lightweight, un-aerodynamic periodicals solid and throwable.

Twelve-year-old Erin Teng (Riley Lai Nelet), a Chinese American girl who looks after her anxious mother, scissors open a twine-banded stack of newspapers that a panel van has deposited onto the sidewalk in front of her home, the A1 headline warning of dire developments in United States-Soviet relations. The first chapter, “Growing Pains,” includes a montage where we see the four girls who will become our heroes dragging themselves out of bed while the rest of their households remain asleep. All eight episodes of the Amazon adaptation are available now. Fast, profane and wholly unpredictable, “Paper Girls” has enough bizarre twists and jaw-dropping surprises that I’m not giving away too much by telling you it involves time travel. Vaughan–scripted, Cliff Chiang–drawn comic that inspired it (which concluded with its 30th issue in 2019), “Paper Girls” (Amazon’s Version) is set in the autumn of 1988, in the imaginary Cleveland suburb of Stony Stream, Ohio. But it takes its title from a form of once-ubiquitous child labor that’s now all but extinct: The four tweens at the center of the action make a habit of rising before dawn to deliver a daily newspaper (the fictional Cleveland Preserver) on their bicycles. It’s adapted from a (wonderful) comic book, it foregrounds young women of color, and it’s, well, a streaming series-a format that barely existed a decade ago.
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“ Paper Girls,” a new streaming series from Amazon Prime Video, is unmistakably a product of its era.
